1. 研究目的与意义(文献综述)
being considered as the subordinates of theirmale counterpart, women have long been oppressed both mentally and physically inpatriarchy society. however, the consciousness of women begins to awaken withthe development and influence of feminist movements. trifles (1916) by susan glaspell and woman hollering creek (1991) by sandra cisneros, two of the mostinfluential and significant works from feminist perspective, describeawakenings of the heroines out of mental oppression and physical abuse toliberate themselves.
research on both “trifles” and “woman holleringcreek” paid close attention to gender studies and feminism while both had alittle research on the women awakenings from feminist perspective.
so far, there are plenty existing studiesrelated to “trifles” with enhancedrecognition of feminist movements. as a result, most of the research focused ongender issues. for example, trifles: thepath to sisterhood by phyllis mael talked about the cooperation betweenwomen under gender discriminations in 1989; xu liying discussed the genderdifferences in language use, thinking pattern and moral judgment in 2006; the binary oppositions in trifles (2014)by yang yan chose the approach of duality in gender; in gender differences in glaspell’s trifles.
2. 研究的基本内容与方案
Along with the prosperity of the feministmovements, women have achieved significant accomplishments in all aspects oflife including gaining their legitimate franchise and writing their own literature. Withinthose great female writers, Susan Glaspell and Sandra Cisneros arerepresentatives in their ages while they coincidently wrote about awakenings ofthe female protagonists in their respective works, namely Trifles and Woman HolleringCreek.
Based on these two works, this thesis is tomake rounded analysis on the causes and processes of the female protagonists’awakenings of their self-consciousness with close study of external situationsof social traditions and male-oriented cultures rather than simply point outthe changes of female characters’ psychology. In general, the thesis will bedivided into five parts: the first part is the introduction to both works withregards to their background information and subject matters along withliterature reviews; next, from the second part to the fourth part, there wouldbe three stages of the mental phases of the female protagonists, graduallychanging from “Lost” to “Omen” and finally to “Awakening”; last, the fifth partis conclusion. The paper perceives the feminist movement through the analysisof these two works to appreciate the accomplishments achieved and to setexamples for future works.
3. 研究计划与安排
before 4th january :settlement of the title
before 6thmarch:submission of the outline
before 30thapril:submission of the first draft
4. 参考文献(12篇以上)
- [1] Ben-Zvi, Linda. ‘Murder, She Wrote’: The Genesis of Susan Glaspell’s Trifles[A]. Baltimore: Theatre Journal, 1992, 44(02): 141-162.
- [2] Cisneros, Sandra. Woman Hollering Creek: And Other Stories[M]. New York: Vintage, 2013.
- [3] Dowling, David. A Delicate Aggression: Savagery and Survival in the Iowa Writers’ Workshop[M]. New Haven: Yale University Press, 2019.
- [4] Glaspell, Susan. Trifles[M]. New York: Players Press, 2007.
- [5] Grande, Reyna. Immigration and Transformation: My Literary Metamorphosis[J]. Oklahoma: Board of Regents of the University of Oklahoma, 2019, 93(4):78-80.
- [6] Hernando, Noelia. An Exorcism on The Outside, or Looking into Trifles—Before Breakfast: Geopathic Crises in the Plays of Eugene O’Neill and Susan Glaspell[J]. Pennsylvania: Penn State University Press, 2017, 38(1):74-92.
- [7] Holmes, Christina. Misrecognition, Metamorphosis, and Maps in Chicana Feminist Cultural Production[M]. Chicago: University of Illinois Press, 2016.
- [8] Jouve, Emeline. Susan Glaspell’s Poetics and Politics of Rebellion[M]. Pennsylvania: Penn State University Press, 2019.
- [9] Mael, Phyllis. Trifles: The Path to Sisterhood[J]. Maryland: Literature/Film Quarterly, 1989, (17).
- [10] Makowsky, Veronica. Susan Glaspell’s Century of American Women: A Critical Interpretation of Her Work[J]. Oxford: Oxford University Press, 1993.
- [11] Noe, Marsha. Reconfiguring the Subject/ Recuperating Realism: Susan Glaspell’s Unseen Woman[J]. Ohio: American Drama, 1995.
- [12] Orchard, William, and Padilla, Yolanda. Resisting the Interpretive Schema of the Novel Form: Rereading Sandra Cisneros’s The House on Mango Street[M]. Pittsburgh: University of Pittsburgh Press, 2016.
- [13] Roberts, Robin. Subversive Spirits: The Female Ghost in British and American Popular Culture[M]. Mississippi: University Press of Mississippi, 2018.
- [14] Zhang,Wei. A Study of the Way Minnie Killed Her Husband in Susan Glaspell’s Trifles[J]. He Fei: Overseas English, 2013(21):245-246.
- [15] 陈琳.论苏珊·格莱斯佩尔剧作《琐事》中的两性语言交流行为差异[J].北京:国外文学,2009,29(02):105-111.
- [16] 胡佳.边界视角下的希斯内罗丝小说解读[J].江苏:淮海工学院学报(人文社会科学版),2014,12(07):45-48.
- [17] 姜伟.小事的大意义—《琐事》中的象征意象释读[J].长春:长春师范学院学报,2006(01):123-125.
- [18] 喻利娟,谷红丽.女性与自然的呐喊—论希斯内罗斯的小说《女喊溪》中的生态女性主义思想[J].海南:海南师范大学学报(社会科学版),2013,26(05):37-40.
- [19] 原学梅.《喊女溪》女主人公自我意识发展轨迹分析[J]. 洛阳:洛阳师范学院学报, 2018, 229(06):60-63 68.
- [20] 许丽莹.《琐事》中两性关系的对比[J].黑龙江:黑龙江教育学院学报,2006,25(5).
- [21] 曾媛媛,王崔平.从女权主义角度浅析《琐事》的主题[J].江西:新余学院学报,2012,17(04):57-59.
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