1. 研究目的与意义(文献综述)
research purpose:
the world today, with all its complexity and advancement, is seeing a broader shift of attitudes towards conventional masculinity. amid the surge of white-collar occupation, for instance, men are losing their dominance in the family, workplace and other fields,which urges the half population to review their identity and redefine their values.domestic failure to ride the tide of modern male research against the backdrop, however, partly exacerbates violent hatred and social inequality more than mental issues and prejudiced education for men. yet a large corpus related to masculinity, generated in the new media environment which creates space for the collision between old and new interpretation of gender, enables a critical discourse analysis of the normseton at least three fronts—social media, commercial campaigns and pop culture. discourse as a reflection of social practice is analyzed in the paper to define the term “toxic masculinity” and reveal its cause and toxicity; as an element in the reality construction to explore how traditional manhood ideology can be coaxed into a more modern-men-friendly one to better echoes today’s concerns about shifting gender roles and relations, peace and parity as well.
2. 研究的基本内容与方案
contents:
1. abstract
2. introduction(background, purpose, significance)
3. 研究计划与安排
before 4th january : settlement of the title
before 28th february submission of the outline
before 29th april : submission of the first draft
4. 参考文献(12篇以上)
[1]laily maulida septiana harti .construing masculinity in men’s perfume advertisement: a systemic functional multimodal discourse analysis[a].proceedings of the social sciences, humanities and education conference[c].paris:atlantis press2019
[2]candice, whitaker, brendan, et al. young men's body dissatisfaction: a qualitative analysis of anonymous online accounts.[j]. journal of health psychology, 2019.
[3]parent m c , gobble t d , rochlen a . social media behavior, toxic masculinity, and depression[j]. psychology of men masculinity, 2018.
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